"Misappropriation" Art, Or Transformative Fair Use? It's Complicated
In the ongoing copyright infringement case by photographer Patrick Cariou against “appropriation artist” Richard Prince, both sides have filed briefs respectively supporting and opposing the August 21, 2013 petition for a writ of certiorari filed by Cariou, appealing the April 2013, ruling in the case by a three judge panel of the United States Court of Appeals for the Second Circuit. That decision reversed and vacated a 2011 lower district court ruling involving the application of the fair use doctrine to artistic works. Cariou originally published his photographs in 2000 in a book entitled Yes, Rasta, while Prince’s work was exhibited in 2008 as Canal Zone collages.
In his petition to the Supreme Court, Cariou argued that the Second Circuit ruling placed too much emphasis on whether Prince’s works could “reasonably be perceived” by the judges as transformative rather than properly balancing the traditional four factors involved in determining fair use.
Cariou also stated, “the Second Circuit majority’s ‘I know it when I see it’ approach [to fair use], should it become widely adopted, risks tilting that balance against copyright owners (particularly photographers who may not have aggressively marketed their easily-copied digitized works).”
Cariou also expressed concerned that if the Appeals Court ruling stands it would make copyrights “dependent upon the unpredictable personal art views of randomly assigned judges.”
Read the full story online here in NPPA's Advocacy Blog.